1) Read more.
2) Lose some weight.
3) Adopt a more professional relationship with staff.
4) Give Dog a name.
5) Finish cabin.
6) Drink less beer (see #2).
7) Run with Henry more (see #2).
8) Call Cady less, so as to not annoy her.
9) Fix doorknob on office door.
10) As Vic says, no more crazy shit (see #3).
2011 was a heck of a year, with making the New York Times Bestseller List and the announcement that A&E was green lighting LONGMIRE for a ten-episode, debut season in the summer of 2012. All these things are truly wonderful, but would you like to know the thing that really keeps me in the game, why it is its so easy to write a novel a year?
The Longmire novels are written in first-person, which means that the sheriff is never very far from my thoughts or narrative. I tend to refer to Walt as a detective for the disenfranchised, a man whose secret weapon is his compassion for the less fortunate or forgotten members of society. I think he has an empathy for the outsiders because, in a sense, he’s one himself; a rogue male somewhat driven off from the herd, even if it is a self-imposed exile.
Another thing I like about him is his ability to surprise me. I was talking to Greer Shephard, the producer of the A&E series based on the books, and she asked me if I thought of Walt as being a verbose person and I said yes. She told me to go through one of my books and highlight his dialogue, what he actually says… She was right; he thinks a great deal but doesn’t say much—it was a genuine revelation.
The eighth book, As the Crow Flies, takes place almost exclusively on the Northern Cheyenne Reservation, and is, as you’ve grown to expect, a departure. There is the regular ebb and flow of characters but there’s always one stalwart, a guy I can depend on to tell the story with me, a guy whose company I still enjoy even after eight books.
I’ve really come to appreciate the guy, and I’m sure glad you do, too.
See you on the trail,