The publication of Isla and the Happily Ever After is a journey that has spanned five years and taken me to Atlanta, San Francisco, New York, and, most especially, to Paris. But before I traveled the world with Stephanie Perkins and her three strong, smart, romantic heroines—Anna, Lola, and Isla—our story begins, uncannily, in my own hometown.
I was coming from an appointment and had just missed a train, keeping me longer in the town that had witnessed my own teen years. Stuck in that station, as I read the manuscript I was not just in the familiar geography of my adolescence, but also transported back to its awkward, exciting promise.
From that first manuscript, for Anna and the French Kiss, Stephanie Perkins has realigned my thinking about contemporary romance for young adults. She is an author who understands her field so well, and she celebrates and then breaks the mold in subtle, smart, unexpected ways. It’s no surprise that Anna (and, after, Lola) quickly became a book so close to readers’ hearts. Only rarely do we get to discover a new talent both as comfortingly familiar and completely fresh as Stephanie.
Amazingly, we now find ourselves celebrating the publication of Isla and the Happily Ever After, the third book in this (very) loose trilogy. Fans have been waiting breathlessly to return to their beloved School of America in Paris, and to meet Isla at long last. Isla joins Anna and Lola to complete a triumvirate of incredible and vulnerable young women who find love and, most importantly, discover themselves.
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